Material de Cámara

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

Camera type 35 format film-style digital camera with lightweight and compact carbon body, 4:3/16:9 switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangable lens mounts and ARRI Lens Data System

Dimensions Length: 185 mm/7.3″

Width: 125 mm/4.9″

Height: 140 mm/5.5″

(camera body with PL lens mount)

Weight ~ 2.3 kg/5 lbs (camera body with titanium PL lens mount)

Sensor 35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array

Photo sites

(with surround view) 16:9

HD: 2880×1620 (3168×1772)

2K: 2868×1612 (3154×1764)

3.2K: 3200×1800 (3424×1926)

4K UHD: 3200×1800 (3424×1926)

4:3

2K: 2867×2150 (3168×2160) *

Shutter Electronic shutter, 5.0° to 356.0°

Exposure latitude 14+ stops over the entire sensitivity range from EI 160 to EI 3200

as measured with the ARRI Dynamic Range Test Chart (DRTC-1)

Exposure index EI 800 base sensitivity

Filters Built-in motorized ND filters 0.6, 1.2, 2.1

Lens mounts Titanium PL mount with L-Bus connector and LDS

EF mount

PL mount with Hirose connector and LDS

B4 mount with Hirose connector

Recording media CFast 2.0 memory cards

Recording formats HD 1920×1080

2K Cine 16:9 2048×1152

2K Cine 4:3 2048×1536 *

3.2K 3200×1800

4K UHD 3840×2160

ARRIRAW 2.8K 16:9 2880×1620 *

ARRIRAW 2.8K 4:3 2880×2160 *

Recording codec ProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), ARRIRAW *

Recording frame rates

Recording Format Maximum Frame Rate in fps (1)

Sensor Mode Recording File Type Recording Resolution (2) Recording File Setting Internal Recording External Recorder

CFast 2.0 128 GB Codex

16:9 ProRes HD 422 200 -

422 HQ 200 -

4444 200 -

4444 XQ 120 -

2K Cine 422 200 -

422 HQ 200 -

4444 200 -

4444 XQ 120 -

3.2K 422 60 -

422 HQ 60 -

4444 60 -

4444 XQ 30 -

4K UHD 422 60 -

422 HQ 60 -

4444 60 -

4444 XQ 30 -

ARRIRAW** 2.8K 30 120

4:3** ProRes 2K Cine 422 150 -

422 HQ 150 -

4444 120 -

4444 XQ 60 -

ARRIRAW 2.8K Full 30 60

2.6K Cropped 30 60

** available with future SUP

(1) Minimum frame rate is always 0.75 fps

(2) The “recording resolution” determines the number of horizontal pixels that will be recorded (the number of vertical pixels is dependent on the recording file type and sensor mode)

Color output Rec 709, custom look or Log C

Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation)

Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue

Focus and exposure control Peaking, zebra, false color

White balance Manual and auto white balance

Sound level < 20 dB(A) at standard frame rates

Environmental -20° C to +50° C (-4° F to +122° F) @ 95% humidity max, non-condensing

Splash and dust-proof through sealed electronics

Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen

and military-grade connector to camera

Control interface Soft buttons and OSD on SDI output,

integration of Transvideo StarliteHD touch interface *

ARRI lens motor control Built-in radio interface for ARRI lens control

L-Bus motor output for daisy-chainable cforce lens control motors

Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones,

tablets and laptops

Custom control Optional GPIO interface for integration with custom control interfaces

Power input Lemo 8-pin, 10.5-34 V DC

Video outputs 2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio

and metadata, SDI-6G interface to external CODEX recorder *

Inputs SDI-Genlock (optional activation through ARRI Service),

timecode (in and output)

Other interfaces USB 2.0 (for usersets, looks etc.)

Ethernet

EXT accessory interface w. RS pin

Product name DigitalCinema Camera: EOS C300 Mark ll

Image sensing device Sensor CMOS sensor (single-panel) equivalent to Super 35 mm

Total pixels Approx. 9.84 megapixels (4206 x2340)

Number of effective pixels Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution

Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution

Lens mount Canon EF mount

[EF lens group supported (including EF-S lenses), EF cinema lens group supported]

Exposure Exposure mode (1) Manual exposure based on shutter setting, iris setting, ISO/gain setting, and ND filter setting

(2) Push auto iris control, auto iris control (Light metering system selection, shift possible)

Shutter setting Speed, Angle, Clear Scan, Slow, or Off mode selected

Either 1/3 or 1/4 steps selected as speed increment

lris setting 1/2-stop, 1/3-stop or fine setting selected

(1) Push auto iris control

(2) Auto iris control *

* Available only with some EF lenses

ISO/gain

ISO 1 step, 1/3 step settings

[*100 - 160 - 25600 -*102400

*When the sensitivity is expanded

Gain Normal [*-6dB - -2dB - 42dB - *54d8]

Fine: Setting in 0.5d8 step increments possible

* When the sensitivity is expanded

ND filter 5 density settings (2,4,6,8(*), 10(*) stops) [(*) when expansion is selected]

Motorized drive

Focus control DAF (Dual Pixel CMOS AF) supported

Manual focus, one-shot AF, continuous AF, AF-Boosted MF (*),

face detection AF (Only lenses that support AF functions can be used

in any of these modes.)

*See Technical Description.

LCD monitor 4″ (10.1 cm diagonal) color wide-screen LCD with 16:9 aspect ratio

Approx. 1.23 million dots (854 x RGB x 480), 100% field of view coverage

Viewfinder 0.46″ (1.18 cm on the diagonal), color organic EL display with a widescreen 16:9 aspect ratio

Approx. 1.17 million dots (1024 x RGB x 576), 100% field of view ratio

White balance Kelvin setting (setting range: 2000K to 15000K), daylight, tungsten, settings (A/B)

System frequency selection

Frame rate

59.94 Hz, 50.00 Hz, 24.00 Hz

59.94 Hz mode 59.94i / 59.94P / 29.97P / 23.98P

50.00 Hz mode 50.00i / 50.00P / 25.00P

24.00 Hz mode 24.00P

Recording media CFast card Movie recording, custom picture settings, metadata 2-slot

SD Card Recording of movies and photos (JPEG), custom pictures, metadata, menus and other data possible

Video format (XF-AVC) Video compression formats MPEG-4 AVC/H.264

Audio recording system Linear PCM (16bit/24bit- 48 kHz – 4ch)

File format MXF

Bit rate Intra 410 / 225 / 210 / 110Mbps,

LongGOP 50Mbps

LongGOP 35 or 24Mbps (for proxy recording on SD cards)

CFast card Intraframe recording

Resolution : 4096×2160 / 3840×2160 / 2048×1080 / 1920×1080

Signal configuration : YCC422 10bit/(*)RG8444 (12bit/10bit)

(*) Only with 2048×1080 or 1920×1080; 29.97P, 23.98P, 25.00P and 24.00P

LongGOP recording

Resolution : 2048×1080 / 1920×1080

Signal configuration : YCC422 10bit

SD Card Movies: LongGOP recording only (*)

Resolution : 2048×1080 / 1920×1080

Signal configuration: YCC420 8bit

Photo: JPEG

Resolution : 2048×1080 / 1920×1080

(*) Proxy recording using low bit rate

Time code Count-up Drop frame(*) or non-drop frame

Operation mode Rec run, free run, regeneration

(*) Only in the 59.94 Hz mode

Special Rec Slow & Fast motion recording (max. 120 fps supported), frame recording, pre-recording, interval recording

Other Relay recording, double slot recording, 4K RAW output, custom picture settings, color bar, peaking display, zebra display, My Menu settings, waveform monitor display, edge monitor display, customized functions, function assignment buttons (1 to 11), key lock, marker displays, Enlarged display, custom display Browser remote control using WFT unit, peripheral illumination correction, monaural microphone, fan control, magnification chromatic aberration compensation, GPS information recording, etc.

Playback Playback operations Normal playback, fast forward (at speeds of 5x, 15x, 60x), fast reverse

(at speeds of 5x, 15x, 60x), frame fonruard, frame reverse, fonrvard skip,

reverse skip, rec review

Clip display 3×4 (clip) index screen

[Original, OK mark, check mark, shot mark, expand, proxy, photo (SD card) index displays available]

Clip information displays Clip metadata display, custom picture data display

Edit Clip deletion, clip copying

Terminal Body

lnput GENLOCK terminal (also serves as SYNC OUT terminal), TIME CODE terminal (inpuUoutput switching), REMOTE terminal, MIC terminal, AUDIO terminal

Output MON.terminal, REC OUT terminal, HDMI OUT terminal, headphones terminal, SYNC OUT terminal (also serves as GENLOCK terminal), TIME CODE terminal (inpuUoutput switching), VIDEO terminal

Input/output control Expansion system terminal (WFT/other unit)

Monitor unit

Input INPUT terminal (XLR) x 2, VIDEO terminal

Output AUDIO terminal

Power supply 14.4V DC (battery pack), 16.7 V DC (DC-IN)

Image processing platform Dual Digic DV 5

SENSOR: 19 MEGAPIXEL DRAGON™

PIXEL ARRAY: 6144 (h) x 3160 (v)

S/N RATIO: 80db

DYNAMIC RANGE: 16.5+ stops

MAX IMAGE AREA: 6144 (h) x 3160 (v)

LENS COVERAGE: 30.7mm (h) x 15.8mm (v) x 34.5 mm (d)

ACQUISITION FORMATS: 6K RAW (2:1, 2.4:1)
5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
4.5K RAW (2.4:1)
4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
3K RAW (16:9, 2:1 and Anamorphic 2:1)
2K RAW (16:9, 2:1 and Anamorphic 2:1)
1080p RGB (16:9)
720p RGB (16:9)

PROJECT FRAME RATES: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions

DELIVERY FORMATS* 4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
1080p RGB 4:2:2, 720p 4:2:2 : Quicktime, JPEG, Avid AAF, MXF
1080p 4.2.0, 720p 4:2:0 : H.264, .MP4

PROGRAM OUTPUT: HD-SDI Clean Feed
2K RGB, 1080p RGB or 4:2:2, 720p 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio

MONITOR OUTPUT: HD-SDI and HDMI with Frame Guides and Look Around
2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio

DIGITAL MEDIA REDMAG (SSD) Module: (64, 128, 256, 512GB Media)

REDCODE™ 12 and 16-bit RAW : Compression choices of 18:1 to 3:1
1-100 fps 6K
1-120 fps 5K, 4.5K
1-150 fps 4K
1-200 fps 3K
1-300 fps 2K

P+S Technic Rehoused Cooke Speed Panchro S2/S3

-18mm CF
-25mm CF
-32mm CF
-40mm CF
-50mm CF
-75mm CF

- 20 mm

- 32 mm

- 40 mm

- 50 mm

- 75 mm

- 100 mm

HAWK SERIE V T2.3

- 35 mm

- 40 mm

- 50 mm

- 75 mm

- 100 mm

- 135 mm

- 180 mm

COOKE ANAMORPHIC i “SF” T2.3

- 32 mm

- 40 mm

- 50 mm

- 75 mm

- 100 mm

- 15 mm

- 25 mm

- 35 mm

- 50 mm

- 85 mm

- 135 mm

- 18mm
- 25mm
- 32mm
- 40mm
- 50mm
- 75mm

- 16mm
- 20mm
- 24mm
- 32mm
- 40mm
- 50mm
- 85mm

-16mm CF
-24mm CF
-32mm CF
-40mm
-50mm
-85mm

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

-21mm T2.8
-28mm T2
-35mm T1.4
-50mm T1.4
-85mm T1.4

-8mm
-9,5mm
-16mm
-25mm
-50mm

The Bolt Pro 300 offers up to 300ft of zero latency wireless video, perfect for focus pullers and director’s monitors.

The 300 model comes in HDMI, 3G-SDI, and dual I/O varieties and includes a new fan-less receiver design with internal antennas.

Like all Bolt models, the 300 also includes the new USB 3.0 GRAB Engine.

MONITORING

As a monitor, Odyssey7Q features a 7.7” OLED screen with 1280×800 resolution. Additional exposure aids include a programmable false color mode, zebras a waveform monitor (luma or RGB parade) and a histogram (luma or RGB parade).

There are also LUTs built in for proper viewing of the LOG and RAW modes available from numerous popular cameras, with programmable LUTs coming in the future. For precision focusing use our pixel zoom with two levels of magnification and a programmable focus assist with three styles of enhancement and a large range of adjustability.

As a recorder the Odyssey7Q captures multiple signals and formats reliably to Solid State Drives. In HD Odyssey7Q records Apple ProRes 422(HQ) or uncompressed video DPX files. Several record Options are available for purchase and/or rent via this website to allow recording of RAW data signals from the ARRI ALEXA, the Canon C500 or the Sony FS700. Convert the RAW signal into high quality compressed video files for quicker turnaround in post. Additional recording formats will be added via firmware updates.

You’ll always know you got the shot; record with confidence and quickly toggle to Play Mode to watch your clips. The touch screen allows you to intuitively scrub through your clip or use the Step or Fwd/Rwd to get where you need to be quickly. Don’t hesitate to use your monitoring functions on playback as well.

Use Odyssey7Q as a monitor today on any and all of your devices. When you are ready to record, so is Odyssey! Drop in a Convergent Design SSD and youre ready to go. Need higher quality recording? Buy or Rent additional Options anytime, anywhere from our online store. It’s versatility makes it the best tool in your kit.

The same price as comparable OLED monitors in the market today, at MSRP US$2295 you are getting the best on camera monitor in the industry, PLUS all of it’s recording capabilities!

Odyssey’s magnesium design is lightweight at about 1lb (560g), consumes 8-15W, and preserves energy with an intuitive Power Save feature.

POWER

D tap, 220V and Vmount batteries.

- Includes: 2x SSD 256GB, Seagate thunderbolt SSD reader, Nebtek Power Bracket with V-mount.

- Hasta 32,2 Kg de carga
- Tilt: +90/-90
- Bola de 150 mm

-Carga: 2-22Kg
-Tilt: +90/-80
-Bola de 100mm

alto, bajo y copa
bola 150mm

bola 100mm

Three Axes – All Inclusive
The Wireless Compact Unit WCU-4 combines three axis of lens control with a lens data display in a compact and ergonomic housing. Weighing around 780 grams including battery, it’s one of the lightest hand units in its class, providing unrivaled comfort during a long working day.

ALEXA Remote Control
An optional software license will enable you to remote control all ALEXA Plus type cameras, except the ALEXA HD Plus. This includes setting frame rate, shutter angle, exposure index, false color on the monitor output, and more. Extended camera status information is also available, allowing you to quickly check your camera settings at any time.

Vibrating Markers
Tactile vibrating feedback lets you keep your eye on the action in the most challenging situations. Operators can concentrate on the scene, knowing that the hand unit will vibrate to prompt them when focus markers are reached.

Backlit Focus Knob
The super-smooth focus knob contains an integrated light source that shines through the wide, optionally pre-marked focus ring in low light conditions, thus providing clearly readable focus marks at all times. The friction of the focus knob can be easily adjusted to one’s personal preference without any tools.

Easy-to-Read Lens Data Display
Clearly arranged, easy-to-read lens and camera information is available on the large 3” display, along with data from optional ultrasonic distance measurement devices. The transflective display technology ensures perfect readability in all ambient lighting conditions.

Pre-Marked Focus Rings
Lens scales can be mapped to a set of high quality pre-marked focus rings in metric or imperial scale.

Focus Tracking
The WCU-4 user button can be configured to activate focus tracking – setting the focus motor to continuously follow a subject by using an ultrasonic distance measurer. Focus tracking works with ARRI’s Ultrasonic Distance Measure UDM-1 and ALEXA Plus or Studio cameras or the Universal Motor Controller UMC-4.

Multiple Mounting Options
The Wireless Compact Unit WCU-4 features M4 mounting points on its top and bottom, and the optional WCU-4 Plate (K2.0006501) can attach to either, providing various 1/4-20 UNC and 3/8-16 UNC mounting points itself. When mounted on the bottom, the WCU-4 Plate serves as a table stand or can be used to accept a 3/8-16 UNC spigot for mounting on a C-stand. When mounted on top, it can be used to adapt the WCU-4 to an on-board monitoring system. Weighing only 67 g, the WCU-4 Plate is made of durable, aircraft-grade aluminum.

Personalized Settings
Various parameters of the WCU-4 can be set up to one’s personal preference. These include the display arrangement, vibration patterns and programmable user button, to name just a few. You can save your preferred settings on an SD card, enabling you to immediately personalize any WCU-4, anywhere in the world.

Exceptional Quality and Service
The WCU-4 is completely splash-proof and embodies the reliability and durability for which ARRI is famous. Wear and tear parts are replaceable at rental level, and the worldwide ARRI Service network ensures rapid second level support if needed. New firmware versions can be installed to the unit via SD card within seconds.

-2º mando con topes para zooms EF
-Extensión mando
-Prolongador flexible 450mm
-Focus lever
-Discos foco
-Engranajes ópticas

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

- 2 x Filter frames 4 x 5,6

- 80mm, 87mm, 95mm, 110mm, 114mm clamp adapters

- Flag

-Incluye:
-3x viseras
-2x portafiltros 4×4”/4×5.6”
-Portafiltros circular 138mm
-Anillo reducción 114/95/85/80mm
-Convertible en clip-on

- 1920 x 1080 nativo

- 17,3″

- true 10 bit

- Procesado de imagen 12bit

- 3G/HD/SD-SDI, Component, Composite, & DVI-I

- vectoscopio y forma de onda

- soporta señal 2k 4:4:4 12bit

- Alimentación: Red y batería V-mount

Size 5.5″

Resolution 1920 X 1080 (16 : 9)

Pixe Pitch 0.063mm

Color Depth 16.7M

Viewing Angle 160°(H) / 160°(V)

Luminance 450cd/m2

Contrast Ratio 1000:1

Display Area 121(H) × 68(V) mm

Input

1 X BNC 3G-SDI A Channel Input

1 X HDMI HDMI Input

Output

1 X BNC 3G-SDI Output

1 X HDMI HDMI Output

Audio

Audio In Embedded Audio/Analog Stereo (Phone Jack)

Audio Out Analog Stereo (Phone Jack), Internal Speaker(Mono)

FPGA Functions

, 3G-SDI Level A/B, Audio Level Meter Display, Blue Only, Focus Assist, H/V Delay, H/V Flip, Key Lock, Luma(Y’) Zone Check, Marker, Max Brightness On/Off, Mono, Range Error, Temperature Adaptive Color, Time Code Display, User Aspect, Various Scan Modes, Waveform/Vector, Zoom

Closed Caption

Calibration

Other Functions

USB Firmware update by USB cable Firmware update by USB memory stick

Ethernet

Conversion HDMI-to-HDMI, HDMI-to-SDI, SDI-to-HDMI, SDI-to-SDI,

Options

Battery Bracket, Camera Mount Ball Head, Carring Case, D-Tap Cable, External Acrylic Filter, Sun Hood, V-Mount

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

- Retina Display

- 3G HDSDI, HDMI and loop through

- Waveform/vectorscope, false color, peaking

- Canon Batteries and D-tap

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

-Kit de cuatro asas para estativo de hombro
-19mm/15mm/15 LWS

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

- V-mount
- D-tap
- Cargador

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

-Procesador i7 a 2,5GHz
-Memoria 8GB SDRAM
-Disco 256 GB SSD
-Puerto Thunderbolt

Disculpa, pero esta entrada está disponible sólo en English y Euskera.

- Thunderbolt based 10bit 422 HDSDI or HDMI video output from MBP