Arri Amira

Ve a donde sea, rueda cualquier cosa. AMIRA, la herramienta perfecta para tu trabajo.

AMIRA es una cámara verdaderamente versátil que combina una calidad de imagen excepcional y flujos de trabajo CFast 2.0 asequibles con un diseño ergonómico optimizado para el uso por parte de un solo operador y un funcionamiento extendido en el hombro. Lista para coger y rodar directamente desde la bolsa de la cámara, AMIRA es lo suficientemente resistente como para llevarlo a cualquier parte y cuenta en cámara con LUT 3D precargados, así como opción cámara lenta de hasta200 fps. La clave de licencia AMIRA ARRIRAW permite la grabación MXF / ARRIRAW 16: 9 2.8K (2880 x 1620) en la cámara a velocidades de cuadro de hasta 48 fps.

Es adecuado para una gran variedad de tipos de producción, desde series TV y películas de bajo presupuesto hasta documentales, eventos deportivos, publicidad, reportajes, contenido de marca y TV en directo con varias cámaras. Dondequiera que vayas y lo que necesites para rodar, deja que AMIRA sea tu compañero.

Sensor Type

• Super 35 format ARRI ALEV III CMOS sensor with Bayer pattern color filter array

Sensor Size

• 28.25 x 18.17 mm
• ⌀ 33.59 mm

Sensor Frame Rates

• 0.75 – 200fps

Sensor Active Image Area (photosites)

• S16 HD: 1600 x 900
• HD: 2880 x 1620
• 2K: 2868 x 1612
• 3.2K: 3200 x 1800
• 4K UHD: 3200 x 1800
• ARRIRAW 16:9 2.8K: 2880 x 1620

Sensor Active Image Area (dimensions)

• S16 HD: 13.20 x 7.43 mm
• HD: 23.76 x 13.37 mm
• 2K: 23.66 x 13.30 mm
• 3.2K: 26.40 x 14.85 mm
• 4K UHD: 26.40 x 14.85 mm
• ARRIRAW 16:9 2.8K: 23.76 x 13.37 mm

Recording File Container Size (pixel)

• S16 HD: 1920 x 1080
• HD: 1920 x 1080
• 2K: 2048 x 1152
• 3.2K: 3200 x 1800
• 4K UHD: 3840 x 2160
• ARRIRAW 16:9 2.8K: 2880 x 1620

Recording File Image Content (pixel)

• ProRes S16 HD: 1920 x 1080
• ProRes HD: 1920 x 1080
• ProRes 2K: 2048 x 1152
• ProRes 3.2K: 3200 x 1800
• ProRes 4K UHD: 3840 x 2160
• ARRIRAW 16:9 2.8K: 2880 x 1620

Exposure Latitude

• 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)

Exposure Index

• Adjustable from EI 160-3200 in 1/3 stops
• EI 800 base sensitivity

Shutter

• Electronic shutter, 5.0°- 356° or 1s – 1/8000s

Recording Formats

• MXF/ARRIRAW
• ProRes 4444 XQ
• ProRes 4444
• ProRes 422 (HQ)
• ProRes 422
• ProRes 422 (LT)
• MPEG-2 HD

Recording Media

• CFast 2.0 Cards

Recording Frame Rates

• ProRes HD: 0.75 – 200 fps
• ProRes S16 HD: 0.75 – 200 fps
• ProRes 2K: 0.75 – 200 fps
• ProRes 3.2K: 0.75 – 60 fps
• ProRes UHD: 0.75 – 60 fps
• MFX/ARRIRAW 16:9 2.8K: 0.75 – 48 fps
• MPEG-2 HD: 23.976 – 59.94 fps

Recording Modes

• Standard real-time recording
• Pre-recording
• Intervalometer
• Stop Motion

Viewfinder Type

• Multi Viewfinder MVF-1 with 3,2″ flip-out monitor
• Camera Control Panel (CCP-1) with option to daisy-chain MVF-1

Viewfinder Technology

• OLED viewfinder display
• LCD fold out monitor

Viewfinder Resolution (pixel)

• 1280 x 720

Viewfinder Diopter

• Adjustable from -5 to +5 diopters

Color Output

• Rec 709
• Rec 2020
• Log C
• Custom Look (ARRI Look File ALF-2)

Look Control

• Import of custom 3D LUT
• ASC CDL parameters (slope, offset, power, saturation)
• Knee, gamma, saturation, black gamma, saturation by hue
• Support of ARRI Look Library

White Balance

• Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps
• Color correction adjustable range from -16 to +16 CC
• 1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values

Filters

• Built-in motorized ND filters 0.6, 1.2, 2.1
• Fixed optical low pass, UV, IR filter

Image Outputs

• 1x proprietary signal output for MVF-1 viewfinder
• 2x SDI Out: 1,5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G & DL 6G (SMPTE ST2081-10, ST2081-11)
• Uncompressed video with embedded audio and metadata

Lens Squeeze Factors

• 1.00
• 1.30

Exposure and Focus Tools

• False Color
• Zebra
• Zoom
• Waveform
• Aperture and Color
• Peaking

Audio Input

• 2x XLR 3pin Mic/Line Input with 48V Phantom Power, switchable to AES3
• 1x XLR 5pin Mic/Line Input with 48V Phantom Power
• (Line input max. level +24dBu correlating to 0dBFS)
• Bluetooth whisper track

Audio Output

• 3,5mm stereo headphone jack
• Bluetooth audio
• SDI (embedded)

Audio Recording

• 4 channel linear PCM, 24 bit 48 kHz
• 1 channel Bluetooth whisper track

Remote Control Options

• Web-based remote control from phones, tablets and laptops via WiFi & Ethernet
• Camera Access Protocol via Ethernet & WiFi
• GPIO interface for integration with custom control interfaces

Interfaces

• 1x BNC LTC Timecode In/Out
• 1x BNC SDI Ret/Sync In (opt. separate analog Genlock In)
• 1x LEMO 6pin EXT multi purpose accessory interface
• 1x Hirose 12pin (on PL lens mount)
• 1x RJ45 Ethernet for remote control and service
• 2x USB 2.0 (for user setups, look files etc)

Wireless Interfaces

• Built-in WiFi module (IEEE 802.11b/g)
• Built-in Bluetooth module

Lens Mounts

• PL mount with Hirose connector and LDS
• EF mountB4 mount with Hirose connector
• LPL mount with LBUS connector
• Leitz Cine Wetzlar M mount

Flange Focal Depth

• PL mount: 52 mm
• LPL mount: 44 mm

Power Input

• 1x LEMO 8pin (10.5-34 V DC)
• 1x On-board battery interface (10.5-24 V DC)

Power Consumption

• min. 52W
• max. 84W
• (Camera body with MVF-1)

Power Outputs

• 1x Fischer 3pin 24V RS
• 1x LEMO 2pin 12V
• 1x Hirose 4pin 12V
• 1x LEMO 6pin EXT 24V

Power Management

• Active ORing between BAT connector and on-board battery adapters

Measurements (HxWxL)

• 149 x 139 x 309 mm (camera body with PL lens mount)

Weight

• ~ 4.1 kg (camera body with PL lens mount)

Operating Temperature

• -20° C to +50° C @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics

Storage Temperature

• -30° C to +70° C

Sound Level

• < 20 dB(A) at 24fps

Software Licenses

• AMIRA Advanced License Key
• AMIRA Premium License Key
• AMIRA 4K UHD License Key
• AMIRA ARRIRAW License Key
• ARRI Look Library License Key